Danny Knicely, Will Lee, Aimee Curl, David Knicely
Starts in 15 Days, 12 Hours
September 28, 2019 8:00 pm
Saturday September 28, 2019
B Chord Brewing 8pm
Danny Knicely is a multi-talented musician, music producer and film maker from Virginia. He is constantly active performing and recording his own music and working with other musicians. He also teaches, presents concerts, produces CDs and, recently, produced the film “The Mountain Music Project: A Musical Odyssey from Appalachia to Himalaya.”
Danny Knicely comes from a musical family in the Shenandoah Valley of Virginia that has been steeped in a mountain music tradition for generations. He has used his roots in old-time and bluegrass to explore many musical styles from Irish, Jazz and Latin, to the various types of music he encountered while performing and studying music in India, Nepal, Tibet, and China.
As a multi-instrumentalist, Danny has won many awards for his mandolin, guitar, and fiddle expertise, including first place in the mandolin contest at the prestigious Telluride Bluegrass Festival.
His masterful mandolinistry and original compositions can be heard on his solo CD “Roots and Branches”. He is also in great demand as a producer, arranger, and session musician and has participated in countless recording projects for many studios in and around the Washington, D.C. area including Patuxent Records, Mapleshade Records, and Cabin Studios.
Danny has years of experience as a professional musician performing in many bands of varying musical styles and has recorded and toured nationally and internationally with many groups such as the award winning Magraw Gap, Furnace Mountain, Corn Tornado, Purgatory Mountain, and a multi-cultural dance troupe called Footworks Percussive Dance Ensemble. He has also performed with Leftover Salmon, Keller Williams, Vassar Clements, Tony Rice, Mac Wiseman, Tim O’Brien, Michelle Shocked, Sam Bush, Col. Bruce Hampton, Larry Keel, Robin and Linda Williams, Daryl Anger, Corey Harris, Bassekou Kouyate, Jeff Coffin, and Adrian Belew.
Danny is also musical director for the Mountain Music Project, a non-profit organization dedicated to serving traditional musicians worldwide and plays a major roll in a feature length documentary film called “The Mountain Music Project”. The film follows two Appalachian musicians on a journey through rural Nepal and Virginia while they explore the extraordinary connections between these two mountain cultures. He has co-conducted lectures on the similarities and differences between Appalachian and Himalayan music at Columbia University, The University of North Carolina-Chapel Hill, and for Asia Network.
A few festivals where Danny has performed are Merlefest, the Telluride Bluegrass Festival, Rockygrass, Grey Fox, Philadelphia Folk Festival, Wheatland Music Festival (Michigan), Smilefest, DelFest, and FloydFest. Some venues he has played are The Smithsonian, National Geographic headquarters, The Clarice Smith Center for the Performing Arts, The Strathmore, The Prism Coffeehouse (Charlottesville, VA), The Birchmere, The House of Blues (Los Angeles, CA), and The Fillmore (San Francisco, CA).
Will Lee was born in Charlotte, North Carolina in 1964, Will grew up amongst musicians on both sides of his family. At the time, his father, Ricky Lee, was already a well-known guitarist with the Bluegrass Tarheels, special protegées of Bill Monroe. On his mom’s side, Grandpa Clark was a fine ragtime pianist whose two sons both play guitar. The banjo is definitely in Will’s genes: William Penmon Lee, the grandfather he was named after, was a respected clawhammer banjo player down in Alabama and Mississippi.
When Will’s dad joined the legendary Stanley Brothers as lead guitarist, the family moved up to Ralph Stanley’s farm in Smith Ridge, Virginia. Will was six when he got a harmonica, his first instrument. By nine he was playing onstage with Ralph Stanley and competing in 4H talent shows. Then, on Hee Haw, he saw Grandpa Jones play harmonica and guitar together. Within a year, Will was playing guitar and, of course, had rigged up a little stand for his harmonica.
Around this time, Ricky Lee decided to quit the road. He moved the family to Alleghany County, Virginia and kept on playing in and around the Shenandoah Valley. When Will was 12, he gave him his first student banjo, an old Kay; Ricky had always wanted his son to be a banjo player. He presented the banjo along with a Flat and Scruggs record and an offer: “If you really learn every tune on this album, I’ll get you a Gibson.” Sure enough, at 15 Will had met his dad’s high standards and earned his Gibson—and that fine Gibson took young Will’s picking up a notch, a big one at that.
Soon Will, though underage, was playing roadhouses, clubs, and sessions regularly with his dad. It was the finest kind of apprenticeship in the pure bluegrass tradition Ricky insisted on. Will’s first non-traditional influences came from sitting in with the Ruley brothers, two of the best of Virginia’s new generation bluegrass players. Gary Ruley, a guitarist, gave Will a half dozen tapes of the new heretics like J.D. Crowe and the New Grass Revival. Those tapes—and jamming with Gary’s great banjo-playing brother, “Rooster”—were a huge new influence.
At the end of high school, Will started going to Galax and other traditional festivals. A year later, at 19, he met Larry Keel there and they started playing together all the time. Larry’s flat-picking virtuosity was inspiring, challenging Will to hone his chops in more technical directions. For the next few years Will and Larry, playing together, did festivals, contests, and gigs throughout Virginia and North Carolina. At Galax in 1990 they ran into an impressive 15 year old bassist, Danny Knicely; the threesome found musical magic instantly and spent almost every weekend of the next four years picking together, all weekend long. Those weekend jams coalesced into Magraw Gap, a fiery young group that stretched the boundaries of bluegrass, even the new bluegrass. Starting as a trio, they grew into a quartet with John Flower taking over the bass and Danny moving to the front line on mandolin.
The band really took off nationally in ’95 with a first place win at the Telluride Bluegrass Festival and a CD that year. They returned to Telluride as a featured band the next year and eventually toured most of the East Coast, the West Coast, the Pacific Northwest and the Rockies. The high point of Magraw Gap’s popularity was a most successful tour with Leftover Salmon in ’97. They toured for another year or so.
Will and Danny have never stopped playing together, honing their unique duo sound and their creatively fresh arrangements of great old mountain tunes.
Will also plays regularly with Gary Ruley’s band, Mule Train, doing clubs, events and colleges around Virginia—and he’s playing shows and sessions with his old mentor, “Rooster” Ruley. Will is currently involved in planning for a major reunion of Magraw Gap in the fall.
Aimee Curl is a Singer/Bassist from Taylorstown, Virginia, has an unmistakable breathy sound and sultry style that combine in a musician of incredible depth. As a singer, she has a most distinctive voice with emotion and sincerity that makes even the most hardened listener soften and swoon. Aimee grew up singing in church and with her family. In her early teens, she learned the lap dulcimer and joined her first band. She met other musicians, started singing more, and began experimenting with other instruments such as guitar, fiddle, and bass. She left home and spent the next ten —–years playing the electric bass and touring the country with a band named ThaMuseMeant before studying at the New School of Jazz and Contemporary Music in NYC where she picked up the upright bass fiddle. Aimee returned to Virginia, and now performs with Furnace Mountain at many major festivals and venues in the U.S. and overseas.
David Knicely is Danny’s brother and has played with tons of great bluegrass musicians and is an all round cool dude. He’ll be playing bass.